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2008
Book Review, Christof Mauch and Thomas Zeller, Eds. The World Beyond the Windshield:
Roads and Landscapes in the United States and Europe. Athens, Ohio: Ohio University Press, 2008
forthcoming in the Journal of Transport History
“Celebrity Dread: Angst, Fame and the End of Privacy in the Work of James Gilbert,”
Exhibition at Gallery, South Korea, TBA
“The Ludic Space of Faith Gay and Ruben Nieto's Work at Centraltrak,”
brochure essay for Ludic Space Centraltrak: The UT Dallas Artists Residency,
September-November 2008
“Geomorph: Rethinking Landscape,”
brochure essay for Geomorph, Centraltrak: The UT Dallas Artists Residency,
August-September 2008
“The Big Bad Realism of Katie Pell,”
brochure essay for exhibition at Women and Their Work, Austin, Texas, August 2008
“Remembering Our Future Selves through the Screen,”
brochure essay for Ech_o Centraltrak: The UT Dallas Artists Residency,
June-July 2008
“False Space and Time of the Apartment: Art-becoming-Architecture, Architecture-becoming-Art,”
brochure essay for False Space and Time of the Apartment at Centraltrak: The UT Dallas Artists Residency,
April-May 2008
“Time, Sound and the City: Bergsonian Urbanism in France, 1936-1965,”
forthcoming in Journal of Urban History.
“From Metonymy to Metaphor, Between Clay and Collecting: The Work of Ken Shores,”
forthcoming catalog essay for Generations: Ken Shores at the Museum of Contemporary Craft, Portland, Oregon,
April 10-July 23, 2008
“Collectivity in a World of Collectors,” Co-written with Noah Simblist, catalog essay for
Collecting and Collectivity at Conduit Gallery, Dallas, Texas, February, 2008
2007
“You've Come a Long Way Baby: A Discussion about Pretty Baby with Curator Andrea Karnes,”
Artlies, Number 56 (Summer 2007).
“TV Reality - Reality TV: Feedback in the Work of Karina Nimmerfall,”
catalog essay for
Power Play, a mixed-media video installation at the Landesgalerie am Oberosterreichischen Landesmuseum,
Linz, Austria, April 19-June 10, 2007.
“Smell and the City: Miasma as a
Code of Crisis in Postwar French Cinema,” The Senses and
Society, Vol. 2 Issue 2, (2007) 137-54.
“Time, Sound and the City: Bergsonian Urbanism in France, 1936-1965,” forthcoming in
Journal of Urban History
“What Time Is It? The Temporality
of Narrative in Contemporary Video Art,” catalogue essay for
Reality Bytes at the Dallas Contemporary, February 2007.
“Smell and the City: Miasma as a
Code of Crisis in Postwar French Cinema,” The Senses and
Society, Vol. 2 Issue 2, (2007) 137-54.
“Object: Objectivity Objecthood
Objectification,” catalogue essay for Object: Objectivity,
Objecthood, Objectification, University of Texas at Dallas,
January 12-February 16, 2007.
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2006
“Filling Voids with Flatness:
Tommy Fitzpatrick’s Bridge over Ambiguous Waters,”
catalogue essay for Bridge, Michael Schultz Gallery,
Berlin, October, 2006.
“Collage-Becoming-Chaos: On the Processes of Hana Hillerova,”
Artlies, Vol. 51 (Summer, 2006) 48-51.
“Between
Collage and Chaos,” catalogue essay for Superspace: Work by
Hana Hillerova at Women & Their Work, Austin, Texas, May 2006.
“Rational Exuberance: The Vigor
and Range of Flatness in the Work of Scott Barber,” catalogue
essay for Scott Barber Works on Paper, Barry Whistler
Gallery, January 2006.
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2005
“Tarrying Between the Movement-Image and Time-Image,” catalogue essay for the Dallas
Center for Contemporary Art, Moving Pics, November 2005.
“Painting in the Age of the Infobot,” catalogue essay for The Dallas Center for Contemporary Art, Legends
Award: John Pomara, September 2005.
"The Rebirth of Spanish Art:
Cosmopolitan Painting from Fortuny to Early Picasso," Albuquerque
Museum of Art; Catalogue entries for six early paintings by
Picasso: Portrait of Aunt Pepa (1896); The Streets of
Montmartre (1900); Woman with an Elaborate Coiffure (The
Plumed Hat) (1901); Peonies (1901); Roofs of
Barcelona in the Moonlight (1903); Nude Combing Her Hair
(1906), August 2005.
“Bent Optimism: Utopian Function
in the Work of Stephen Lapthisophon,” catalogue essay for
Strategy: Stephen Lapthisophon, Conduit Gallery, April 2005.
“Urbanisms of Risk: Economies of
Technology, War and World in Art, Architecture and the City,”
catalogue essay for Urbanisms of Risk: Economies of Technology,
War and World in Art, Architecture and the City, University of
Texas at Dallas, January 10-February 12, 2005.
“The Solace of
Fetish Form and Repetition,” catalogue essay for
OBJECTification, The Gallery at the University of Texas,
Arlington, October 11-November 16,
2004.
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