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AHST 3318.501: Contemporary Art and Architecture
Dr. Charissa N. Terranova
Spring 2009
Wednesday 7:00 – 9:45 pm
Location: JO 4.614

Course Syllabus (or download the Word Doc)

Class Schedule

Writing Tips (Word Doc) UT Dallas Policies
Handouts and Power Point Presentations

Presentations

Handouts:(as Word Doc.)

1. January 14

2. January 21

3. January 28

4. Sunday February 15

5. Wednesday February 18

6. Wednesday, February 25

Mid-Term Exam Review

7. Wednesday, March 4

Writing Tips Assignment 1

8. Wednesday, March 25

9. Wednesday, April 1

10. April 8, 2009

11. April 15, 2009

12. April 29, 2009

Power Point:

1. Wednesday January 14
Abstract Expressionism - Jackson Pollock: Apotheosis and Death of Modern Painting

2. Wednesday January 21
The Duchamp Effect: Neo-Dada, Collage, Combines and Assemblages - Kinetic Art: Marcel Duchamp, Alexander Calder, Jean Tinguely

3. Wednesday January 28
Polymoprhic Perversity: The Body and Performance - Fluxus, Happenings, and Protest

4. Sunday February 15
British Pop!  The Independent Group - American Pop!  The Irony and Ecstasy of Mass Communication

5. Wednesday February 18
American Pop!  The Irony and Ecstasy of Mass Communication - French Pop! Nouveau Réalisme

6. Wednedsay, February 25
French Pop! Nouveau Réalisme: Art, Architecture and Revolution in Paris - Lettrisme, the Situationist International and May 1968

7. Wednesday, March 4
Minimalism and the Death of the Author Conceptualism: Language and the Sign

8. Wednesday, March 25
Minimalism (Richard Serra)/Conceptualism: Gender 1970s

9. April 1, 2009
Gender and Sexuality in the 1970s/Gender and Sexuality in the 1980s/Postmodernism: Pictures and Simulations

10. April 8, 2009
Gender and Sexuality in the 1980s/Postmodernism: Pictures and Simulations/Postmodernism: Signage, Historicism, and Space

11. April 15, 2009
Postmodernism: Signage, Historicism, and Space/British Art in the 1990s

12. April 29, 2009
Painting in the New Millennium: Renewal through Healthy Forgetting

 

 

View the Schedule of Classes here

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