AHST 3318.001: Contemporary Art and Architecture I – UT Dallas
Course Syllabus (Word Doc)
Mid-Term Exam Review (Word Doc)
Writing Tips (Word Doc)
Power Point Presentations:
- Contemporary Art and Architecture / The Duchamp Effect: Neo-Dada, Collage, Combines and Assemblages
- British Pop! The Independent Group
- The Irony and Ecstasy of Mass Consumerism
- American Pop! and Superrealism:
The Irony and Ecstasy of Mass Consumerism
- French Pop! Nouveau Réalisme
- Art, Architecture and Revolution in Paris:Lettrisme, the Situationist International and May 1968
- Bodies in Space: Fluxus, Art, and Anarchy
- Bodies in Space: Happenings and Protest
- Post-Painterly Abstraction and Minimalism
- Minimalism and the Death of the Author
- Conceptualism: Language and the Sign
- Conceptualism: Language and Arte Povera
- Gender and Sexuality in the 1970s
- Gender and Sexuality in the 1980s
- Postmodernism: Pictures and Simulations
- Postmodernism: Neo-Expressionism and Graffiti
- Postmodernism: Signage, Urbanism, and Space
- Deconstruction in Art and Architecture
- British Art in the 1990s
Hand Outs (as Word Docs):
- The Duchamp Effect: Neo-Dada, Collage, Combines and Assemblages
- British Pop! The Independent Group
- American Pop! The Irony and Ecstasy of Mass Consumerism
- American Pop! The Irony and Ecstasy of Mass Consumerism and Superrealism
- French Pop! Nouveau Réalisme
- Art, Architecture and Revolution in Paris: Lettrisme, the Situationist International and May 1968
- Bodies in Space: Fluxus, Art, and Anarchy
- Bodies in Space: Happenings and Protest
- Post-Painterly Abstraction and Minimalism
- Minimalism and the Death of the Author
- Conceptualism: Language and the Sign
- Conceptualism: Language and Arte Povera
- Gender and Sexuality in the 1970s
- Gender and Sexuality in the 1980s
- Postmodernism: Pictures and Simulations
- Postmodernism: Neo-Expressionism and Graffiti
- Postmodernism: Signage, Urbanism, and Space
- Deconstruction in Art and Architecture
- Performance Art and Video
- British Art in the 1990s
- The Death Drive of Painting and Painting in the New Millennium
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